UV textured print created from a topographical scan on our Metis Scanner. No matter how many times we see the resulting print, the result just melts your brain. Something you have to see in person to realize how crazy it is. This particular sample even has the micro cracks in the surface of the paint that were captured during the scanning process.

Another behind the scenes look at surface prep on the oversized sheets of Kozo we recently printed. Really loving this agate burnisher from @vintage_paper_co_uk

Grace and Jeremy working the edges of custom made 430gsm Igarashi Kozo paper. The prep work on this paper - at this size ( 72 x 103 inches ) - is an immense undertaking with a lot of nuanced and very important steps to ensure that we end up with a great print, while also not damaging the delicate print heads on our machine. On these particular prints we also needed to print full bleed over the natural edge of the paper, which further complicates the process. @jasonoppenheim

One of the biggest challenges when someone begins the process of creating prints is the paper selection process. We have such a wildly diverse range of papers and other substrates that it can sometimes be overwhelming. Many clients decide to view the same file on multiple materials to work through the nuances. If you need help deciding on a point of departure, simply schedule a consultation and we can help you. 👊🏼